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NO ONE CAN HEAR ME SCREAM!Robert Irwin Wolf, LPsyA, LCAT, ATR-BC Introduction: This clinical case study will attempt to demonstrate the clinical application of a combination of art therapy, expressive therapy (Robbins, 1980), and a rich variety of psychoanalytic theories in an in-depth psychoanalytic case study, as well as demonstrating the analyst’s ability to process countertransference material through the art form of stone carving. The intense countertransference inductions (Lotterman, 1990; Roland, 1981; Chuah, 1986; and Wolf, 1985) inevitably experienced while working on a psychoanalytic level with a schizoaffective patient on an outpatient basis were at times overwhelming and needed to be channeled, metabolized, and synthesized in order for the analyst to sift through the myriad of confusing data and remain grounded, centered, and able to provide meaningful, effective interventions for this challenging client. To read more, click here to order this issue of Psychoanalytic Perspectives.
Elizabeth, Funeral
Elizabeth, Grandma's Suicide
doll in rocking chair
doll in room
Elizabeth, No One Can Hear Me Scream
Elizabeth, My"Bad-Self"
Elizabeth, boots and fanged snake
Elizabeth, toddler with doll at window drawing
Elizabeth, mummy Group 2: Regressive Images
Elizabeth, abstract charcoal drawing 5
Elizabeth, abstract charcoal drawing 6
Elizabeth, abstract charcoal drawing 7
Elizabeth, abstract charcoal drawing 9
Elizabeth, abstract charcoal drawing 10 Group 3: Collages, red ink with graphite
Elizabeth, woman's torso with blood, knife/phallus
Group 4: Sculptures
Robert Irwin Wolf, Fracture
Robert Irwin Wolf, Enigma
Robert Irwin Wolf, Listening |
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© 2003-2011 Psychoanalytic Perspectives. Last updated 2011. |
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